01. Thesis Title Page

02. Dedication

03. Table of Content

04. Lists (icons, diagrams, graphs, figures)

05. Abstract

06. Introduction

07. Literature Review (pt 1) (pt 2) (pt 3) (pt 4)

7.1 Summary of Literature and Intentions of the Investigation

08. Methodology (pt 1) (pt 2)

8.1 Methods

8.1.1 Phenomenology (pt 1) (pt 2)

8.1.2 Grounded theory

8.1.3 In-depth interviews

8.1.4 Art practice as a research method (pt 1) (pt 2)

8.1.5 Self exploration

8.1.6 Data collection and analysis

8.1.7 Humour

09. A Body of Practical Actions

9.1 Artistic choices

9.1.1 Actions1 – individual

9.1.2 Actions2 – individual in a group

9.1.3 Actions3 – collective individuals

9.2 Core themes (pt 1) (pt 2) (pt 3) (pt 4) (pt 5) (pt 6) (pt 7) (pt 8) (pt 9)

10. Stimulation

10.1 Sensing (pt 1) (pt 2) (pt 3)

10.2 Feeling (pt 1) (pt 2) (pt 3)

10.3 Acknowledging (pt 1) (pt 2) (pt 3) (pt 4)

10.4 Summary of chapter 10

11. Internalisation

11.1 Shape (pt 1) (pt 2) (pt 3)

11.2 Movement (pt 1) (pt 2) (pt 3)

11.3 Summary of chapter 11

12. Application

12.1 Place (pt 1) (pt 2) (pt 3) (pt 4)

12.2 Space (pt 1) (pt 2) (pt 3) (pt 4) (pt 5) (pt 6)

12.3 Summary of chapter 12

13. Conclusion of body chapters 10-12

14. Testing the conclusion in practice – a participatory art workshop experiment

14.1 Practical preparations

14.2 The structure of the guidance

14.3 The workshop experiment (pt 1) (pt 2) (pt 3)

14.4 Conclusions of the experiment

15. Thesis conclusions

16. Suggestions for further research

17. Appendices (pt 1)

17. Appendices (pt 2) – Action table/list

17. Appendices (pt 3) – Content analysis of interviews

17. Appendices (pt 4) – Feedback on films

18. References